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The sleeve-art is by British artist Dave Field. Labels Universal Music Group Sanctuary Records Bronze Records. Return to Fantasy retains the musical experimentation that marked Sweet Freedom and Wonderworld, but has an overall harder-rocking feel that makes it more consistent than either one of those. It was also the band's first of two releases with a new line-up that featured David Byron, Ken Hensley, Mick Box, Lee Kerslake and a new bass player - John Wetton - brought in place of the heroin-addicted Gary Thain, who died half a year after the album was released. Listen free to Uriah Heep Return To Fantasy Return to Fantasy, Shady Lady and more. Return to Fantasy is the eighth studio album by British rock band Uriah Heep, released on 13 June 1975 in the United Kingdom by Bronze Records. The eighth album by Uriah Heep, recorded and released in 1975. Треклист: Return to Fantasy Byron, Hensley - 5:52. Re-Issue in 2004 by Sanctuary Records Group with 7 bonustracks. Return To Fantasy Byron, Hensley Extended Version - 7:14. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. It was the first of the two albums to feature John Wetton as the new bass player, who replaced Gary Thain in early 1975. It's from the album Return to fantasy released in 1975. Songs in album Uriah Heep - Return To Fantasy 2004.

Синглами стали Return to Fantasy и Prima Donna. The fair use of a copyrighted work, including such use by reproduction in copies or Heep - Return To Fantasy 2004. Includes liner notes Box, Hensley, Newton and Kerslake all contribute and complete. Created with the full collaboration of the band and curated by founding members Mick Box, Ken Hensley, Paul Newton and Lee Kerslake.

Phonographic Copyright (p) – Bronze Records Ltd. 50 Years In Rock brings together the full discography including all the seminal albums by British hard rock legends Uriah Heep.

Keyboards, Guitar, Synthesizer, Vocals – Ken Hensley.

Composed By, Arranged By, Performer – Uriah Heep.

Return To Fantasy ‎ (CD, Album, RM, Unofficial) Return To Fantasy ‎ (Cass, Album, Unofficial) Collector's note: The American version of this album had different cover art (the tank on the British edition was replaced by a gruesome image of man tearing out of his own skin) and replaced "Bird of Prey" with a bluesy B-side entitled "Simon the Bullet Freak.Return To Fantasy ‎ (CD, Album, Dlx, RE, RM, RP, Exp) All in all, Salisbury is too unfocused for the casual listener but offers enough solid songs for the Uriah Heep completist. Another problem is that the overly busy brass and woodwind arrangements that have been grafted onto it intrude on the group's sound instead of fleshing it out. However, Salisbury is undone by its title track, the 16-minute track that dominates the album's entire second side: it feels more like a lengthy jam session instead of a prog epic with distinctive and carefully crafted sections.

It has a gentle, appealingly psychedelic feel that is topped off by David Byron's falsetto vocal and some soaring harmonies from Byron and Ken Hensley. The big surprise on this side is "The Park," a ballad-style song built on a light blend of acoustic guitars and ethereal keyboards.

Highlights on the song-oriented side include "Bird of Prey," a soaring rocker that blends furious, power chord-fuelled verses with spacy, keyboard-drenched instrumental breaks, and "Lady in Black," a stylishly arranged tune that builds from a folk-styled acoustic tune into a throbbing rocker full of ghostly harmonies and crunching guitar riffs. Salisbury tips the band's style in the prog direction, containing one side of songs and one side dominated by a lengthy and ornate epic-length composition. On their second album, Uriah Heep jettisons the experiments that weighed down Very 'Eavy Very 'Umble and works toward perfecting their blend of heavy metal power and prog rock complexity.